Sub-theme 30: From the Margins to the Mainstream: The Role of Contestation, Competition, and Agency in the Evolution of Novelty

Convenors:
Ibrat Djabbarov
Imperial College London, United Kingdom
Gino Cattani
New York University, USA
Denise Falchetti
George Washington University, USA

Call for Papers


Call for short papers (pdf)

In this sub-theme, we will explore how contestation, competition, and conflict shape the evolution of novel technologies, categories, and practices as they transition from the margins to the mainstream. Novel ideas, particularly in their early stages, often lack legitimacy and occupy low-status positions within their fields (Navis & Glynn, 2011; Aldrich & Fiol, 1994). Understanding how these novel forms emerge on the periphery and evolve into mainstream phenomena remains a critical area of inquiry in organization studies (Zietsma et al., 2017).
 
The introduction of novel technologies, categories, and practices by peripheral actors, who are more likely to initiate change and innovate (Leblebici et al., 1991; Cattani & Ferriani, 2008; Cattani et al., 2017; Zietsma et al., 2017), disrupts established norms, often provoking pushback from incumbents who benefit from maintaining the status quo actively defend existing arrangements by leveraging their resources, regulatory influence, and legitimized positions (Hardy & Maguire, 2010; Reay & Hinings, 2005). The incumbents’ counteractions, such as delegitimizing novel categories, imposing regulatory constraints, or influencing established norms, can weaken the innovators’ position (Durand & Khaire, 2017; Wry et al., 2011). While such pushback can hinder the adoption of novelty, it can also create opportunities for refinement and legitimation, accelerating its transition to broader acceptance (Cattani et al., 2017; Garud et al., 2014). This alignment often involves framing strategies that resonate with institutional norms or cultural values (Cornelissen & Werner, 2014; Glynn & Navis, 2013). Indeed, innovators – particularly peripheral ones – must engage in a translation process (Harman & Dietrich, 2013) to articulate their ideas in the language spoken by the custodians of existing practices.
 
Structural challenges further complicate the journey of novel forms. These include regulatory hurdles, institutional inertia, and the dominance of legitimized practices (Greenwood & Suddaby, 2006). Mature fields are shaped by arrangements that privilege incumbents, making it difficult for emerging innovations to gain traction (Fligstein & McAdam, 2012). Addressing these challenges requires institutional entrepreneurship, where actors seek to reshape field structures and norms to accommodate novel categories (Battilana et al., 2009; Hardy & Maguire, 2008). At the same time, institutional pressures often prompt innovators to adapt their practices and narratives, aligning them more closely with dominant logic to gain acceptance (Ansari et al., 2016; Cornelissen & Werner, 2014). Competition introduces another dynamic layer to the evolution of novelty. Incumbents frequently leverage their resources, legitimacy, and established networks to outcompete emerging alternatives, shaping the trajectory of novel forms (Hargadon & Douglas, 2001; Zuckerman, 1999). However, competing alternatives also arise among peripheral actors, particularly in emerging technologies or nascent markets, where resource constraints and audience fragmentation intensify rivalry (Garud et al., 2014). This interplay between rivalries – from incumbents and peers – influences whether novel ideas achieve mainstream adoption or remain marginal (Cattani et al., 2017).
 
Despite these hurdles, contestation, challenges, and competition often foster innovation. Contestation compels innovators to refine their narratives and engage in translation processes that resonate with stakeholders (Harman & Dietrich, 2013; Ansari et a.l, 2016). Challenges inspire creative problem-solving, leading to reconfigurations that enhance feasibility and acceptance (Hargadon & Douglas, 2001; Greenwood & Suddaby, 2006). Competition drives differentiation and experimentation, pushing innovators to develop strategies that position their ideas more effectively. Together, these forces shape the trajectory of novelty, determining whether it transitions into the mainstream or remains on the margins (Garud et al., 2014; Cattani et al., 2017).
 
Some hurdles are relaxed or disappear when disruptive events such as exogenous shocks (e.g., natural disasters, pandemics, wars, or regulatory changes) dramatically alter the status quo (Fligstein & McAdam 2012). By challenging existing arrangements, these shocks often force all actors to adapt or risk obsolescence. For peripheral actors, these moments of upheaval may represent a unique opportunity to further their innovations as they help create a more receptive social space where those innovations are more likely to receive support and recognition from relevant audiences (Sine & David, 2003; Ansari & Krop, 2012; Cattani et al., 2017; Corbo et al., 2024).
 
The contemporary presence of multiple interested audiences (or stakeholders) also allows for the coexistence of different perspectives. Discrepancies in expectations across multiple audiences can create opportunities for innovators to select niches in which they can satisfy one set of expectations while being shielded, at least temporarily, from alternative expectations (Aldrich & Martinez, 2015; Cattani et al., 2017). One might even argue that the presence of multiple audiences, combined with changes in their membership, expands the number of possible destination states of the legitimation journey of novelty. This reflects what sociologists of science describe as a “non-determined, multidirectional flux” (Bijker et al., 1987, p. 13).
 
This sub-theme seeks to advance scholarly understanding of how contestation, challenges, and competition influence the evolution of novel ideas, categories, and practices. We invite submissions exploring how different actors’ responses to novelty – whether through resistance, adaptation, or competition – shape the trajectory of organizational and field dynamics. We welcome theoretical, empirical, and interdisciplinary contributions that illuminate the role of these forces in redirecting the emergence and evolution of novelty. We encourage submissions that draw on a range of theories, settings, and levels of analysis to explore these themes. To this end, we solicit submissions addressing the following or similar questions:

  • How do incumbents contest novelty and affect its evolution?

  • How do novel forms evolve because of institutional pressures or other structural challenges?

  • How do creators or promoters of novel forms respond to the contests over time?

  • How do entrepreneurial narratives evolve during the different phases of a novel idea journey?

  • How do exogenous shocks influence the journey of peripheral actors toward mainstream acceptance?

  • How do exogenous shocks alter the expectations of key stakeholders who control critical symbolic and/or material resources?

  • How does audience heterogeneity affect the likelihood of peripheral actors’ success?

  • How do challengers’ framing strategies evolve within contested organizational fields?


References


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  • Ansari, S.S., Garud, R., & Kumaraswamy, A. (2016): “The disruptor’s dilemma: TiVo and the U.S. television ecosystem.” Strategic Management Journal, 37 (9), 1829–1853.

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  • Cattani, G., Ferriani, S., & Lanza, A. (2017): “Deconstructing the outsider puzzle: The legitimation journey of novelty.” Organization Science, 28 (6), 965–992.

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Ibrat Djabbarov is a post-doctoral researcher at the Leonardo Centre on Business for Society at Imperial Business School, Imperial College London, United Kingdom. His research explores status, systems, and strategic change emerging from the periphery, how change-makers’ innovations and strategies evolve over time, and the processes of organizational purpose and impact.
Gino Cattani is a Professor of Strategy and Organizations at the Leonard N. Stern School of Business, New York University, USA. His research has been published in ‘American Sociological Review’, ‘Administrative Science Quarterly’, ‘Strategic Management Journal’, Academy of Management Journal’, ‘Research Policy’, ‘Strategy Science’, ‘Industrial and Corporate Change’, and ‘Organization Science’.
Denise Falchetti is an Assistant Professor of Management at the George Washington University School of Business (GWSB), USA. Her research interests include entrepreneurship, creativity, and innovation, with a focus on social evaluation processes and entrepreneur resource acquisition. Denise’s work has been published in international journals and books, such as ‘Strategic Management Journal’, ‘Harvard Business Review’, ‘PLoS One’, and ‘Research in the Sociology of Organizations’.